Shelf Installation views
Jesmonite, wax, pigment, paper, wire, acrylic panel, LED lights, lighting gel
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Exploring the process whereby mundane but intimate objects, shaped by automatic routines, re-enter consciousness
Where sky meets sea meets land Installation views
Wax, pigment, ash, fishing twine, LED lights, lighting gel
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Inspired by Wallace Steven's Sea surface full of clouds, an investigation of the processes of inference and assumption as the mind fills the gaps in perception
Home; fragments of time Installation views
Reclaimed acrylic panels, LED lights, found objects & part-objects
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Inspired by Gaston Bachelard's Poetics of Space, a contemplation of the fragmented and overlapping nature of memory with reference to the home
Not yet, no longer Studio view
Plaster-of-paris, found objects, cinefoil, LED lights
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Thoughts on the nature of pauses and spaces, inspired by Mallarme’s A throw of the dice will never abolish chance
Traverse Site-specific installation in St Mary Magdalene Church, Whatlington 2025
Acrylic panel offcuts, wire, ash, timber, LED lamps
A question of surface
Shop window installation for Bexhill After Dark festival 2025
Wax, pigment, soft pastel on compostable cellophane, paper, LED lamps, fans
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Probing the processes of assumption and inference as the mind fills the gaps in perception, this was a site-specific installation referencing the beach at Bexhill-on-Sea.
Dwelled in time Installation Views
Reclaimed acrylic panel, charcoal & soft pastel on compostable cellophane,
steel, LED lamps, fabric
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An evolution of Dwelling (see below); now imagining the loss of the increasingly precarious balance between nature and humanity
Dwelling Installation views
Reclained acrylic panel, handmade charcoal and soft pastel on compostable
cellophane, honeysuckle twigs, plaster of paris, steel, mixed fabrics, LED lamps
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A site-specific installation; a locked abandoned shed in an area of Suffolk woodland became a metaphor for both the inaccessibility of the past and the constantly shifting dynamic between humanity and nature
Almost without an outline Installation views
Charcoal and soft pastel on compostable cellophane,
plaster, plaster of paris, LED lamps
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A contemplation of the interactions between space, light, surface and volume in the quest for the essence of an object, inspired by Rainer Maria Rilke’s poem The bowl of roses
Contains nothing but itself Studio view
Overhead projector, lighting gel, LED lamp, seed head, twigs, plinth, papier mache,
silk voile, steel, concrete block, compostable cellophane, graphite
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An initial response to Rainer Maria Rilke’s poem The bowl of roses
Almost things Installation views
Compostable cellophane, LED lamps, lighting gel, graphite
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Questioning the nature of objecthood
The empty forest Installation views
Digital projection, acrylic panel, wood from a sustainable source
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An interactive installation exploring the distortion and remodelling of personal recall through contamination with the perception and memories of other people
Replacing memories Installation views
plastic-free adhesive tape, steel, digital projection
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Contemplating the power of the present to interfere with the mind’s access to the past
Untitled (2022)
Digital projection, silk voile
On The Site Of Installation Views
Plastic-free adhesive tape, acetate, graphite, charcoal, soft pastel, newspaper
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A site-specific installation exploring the failure of collective memory for the mundane and the process whereby perception of the present interferes with memory of the past
Liminal Space
Digital projection, paper, silk, wire, acrylic sheet
Witnesses Installation views
Digital & overhead projections, acetate, VHS tape, acrylic panel, wire mesh,
silk, plywood
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An exploration of the factors causing the fragmentation and distortion of memories as they are repeatedly remodelled with each recall
photo credit: @telephoto_ted
photo credit: @telephoto_ted
photo credit: Bernard G Mills
Dust of memory Installation views
Digital projection, rock, wood, glass, dust
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Probing the uncertain relationship between memory and reality as memory becomes distorted and decayed over time
photo credit: Bernard G Mills
photo credit: Bernard G Mills
“Part of an appreciation of a reality” Installation views
Digital projection (moving image), rock, wax, ash, seed heads, plaster of paris, mdf
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Inspired by the poetry of Wallace Stevens, a video installation exploring the factors involved in the mismatches between perception, memory and reality
Without Conscious Awareness
Digital projection on silk, air-dried paper clay, nylon line, plywood
Untitled (2020)
Digital projection, silk, Cinefoil
Untitled (2021)
Digital projection, silk voile, Cinefoil